Personal Learning Networks: Knowledge Sharing as Democracy
Open Education
Sherry Turkle famouslyargues [https://www.nytimes.com/2012/04/22/opinion/sunday/the-flight-from-conversation.html?pagewanted=all&_r=0] technology has begun to overtake our attention and time, which has led to increased
Bring Your Own Disruption: Rhizomatic Learning in the Composition Class
Composition
Too often, rather than inviting First-Year Composition (FYC) students into the disruptive experience of being a writer, we try to shield them inside the safety of the walled garden of neatly ordered paths
11 min read
Online Learning: a Manifesto
Digital Humanities
Online learning is not the whipping boy of higher education. As a classroom teacher first and foremost, I have no interest in proselytizing for online learning, but to roundly condemn it is absurd.
Editorial Pedagogy, pt. 2: Developing Authors
Publishing
In theprevious installment to this series [http://www.hybridpedagogy.com/Journal/files/Editorial_Pedagogy_1.html], I wrote about the theoretical foundations on which my professional philosophy, an editorial pedagogy, is built on
A MOOC is not a Thing: Emergence, Disruption, and Higher Education
Canvas
A MOOC is not a thing. A MOOC is a strategy. What we say about MOOCs cannot possibly contain their drama, banality, incessance, and proliferation. The MOOC is a variant beast — placental, emergent,
Editorial Pedagogy, pt. 1: A Professional Philosophy
Digital Literacies
This article is the first ina three-part series [http://www.hybridpedagogy.com/tag/editorial-pedagogy-series]. Two subsequent articles by Cheryl Ball will demonstrate the application of editorial pedagogy to the relationships between students / teachers
Seeing Composition Three Dimensionally
Composition
“We no longer have to separate our material technologies so radically as we once did from our ‘cognitive strategies’. People-with-bodies participate in activities and practices, such as jointly authoring a multimedia Web document,
Digital Writing Uprising: Third-order Thinking in the Digital Humanities
Digital Humanities
“The intellectual is still only an incompletely transformed writer.” ~ Roland Barthes,Writing Degree Zero There could be many epigraphs hailing a discussion of digital writing, many pithy observations about its nature, becoming, qualities,
The Threat of Scholarly Openness: Twitter and Its Discontents
Open Education
I was roused from my teaching this week by the cacophony of tweets and blog posts on the merits and pitfalls of tweeting another scholar’s ideas (the most cited ones authored or
Bright Lines and Golden Rules: Copyright, Fair Use, Critical Pedagogy
Copyright
Have you ever overheard this conversation, or something similar, in the departmental copy room? One teacher says, “How many pages of a book can I copy and still call it fair use? Another
Udacity and Online Pedagogy: Players, Learners, Objects
Digital Pedagogy
This sentence is a learning object. Wayne Hodgins, the “father of learning objects,” first came up with the idea for them while watching his son play with LEGOs. The basic notion is that
Learning as Performance: MOOC Pedagogy and On-ground Classes
Assessment
How different would our education system be if we focused on learning for learning’s sake, rather than for the sake of tests, exams, and homework checks — if performance really mattered?
A MOOC by Any Other Name
MOOC
MOOCs: Changing Modes of Pedagogy[original Google Doc [https://docs.google.com/document/d/1u1KUIi4l_iyxdkSNPlRiV3C84SYjXxfQbf80-iE2RiU/edit] ] AsBonnie Stewart [http://theory.cribchronicles.com/2012/08/10/if-foucault-ran-a-mooc/]explains, massive open courses are not
Occupy the Digital: Critical Pedagogy and New Media
Critical Pedagogy
Teaching is a moral act. Our choice of course content is a moral decision, but so is the relationship we cultivate with students. Both physical and digital learning spaces require us to practice